However, the temple also appeals to visitors and artists alike in the winter, when the bold geometry of its architecture contrasts with the softness of the surrounding snow-laden trees.
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The verandah offers the temple’s many visitors a spectacular view of Kyoto and is crowded throughout the year, but especially during cherry blossom season in spring and maple-viewing season in the autumn, as shown in the first photograph. Collection of Scripps College, Claremont.
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Kiyomizu-dera, by Tokuriki Tomikichiro, Japan, c. It has the appearance of a large wooden stage that juts out of the hillside at a height of 13 meters and is supported by a lattice of massive vertical pillars and horizontal beams, said to have been erected without the use of a single nail. Extending outward from the hondo is an extensive verandah that was built to accommodate the many pilgrims visiting the main hall. The temple’s main hall, or hondo, is a massive wooden structure that houses the principal Kannon image. The complex is made up of 30 buildings, including a three-story pagoda, or reliquary, that is one of the tallest of its kind in Japan at 31 meters. It was rebuilt in 1633 under Tokugawa Iemitsu (1604–51), the third of the Tokugawa shoguns who ruled Japan from 1600–1868. Photo by the authorĬenturies after its original construction, the temple complex was destroyed in fires. A view of Kiyomizu-dera’s three-story pagoda. The temple’s principal deity-created at a later date in gilded wood-is Senju Kannon, a form of Avalokiteshvara with 1,000 arms and 11 heads, a representation of the deity that represents his ability to see in all directions and use all means to aid sufferers. Enchin was a monk of the Hosso (Skt: Yogacara) school of Buddhism, which teaches that our understanding of reality comes from our own mind, rather than actual empirical experience, so the temple has historically been affiliated with this school. Tamuramaro then founded a temple in 778 to house the image of Kannon. He worked on it for many years and only when he met the warrior Sakanoue no Tamuramaro (758–811), who was impressed by his dedication and became his patron, was he able to perfect the image. After the old man had departed, Enchin realized he should carve an image of Kannon from the wood. When the monk went to the place of in his dream, he encountered an old man sitting on a log praying to the bodhisattva Kannon. From kiyomizudera.or.jpĪccording to legend, the history of the temple dates to the eighth century, when a Buddhist monk, Enchin, dreamed of a golden river flowing down Mount Otowa above Kyoto. As such, it has featured prominently in the literary, theatrical, and artistic traditions of Japan. Although it has long served as center for Buddhist worship with Kannon at its core, Kiyomizu-dera has captured the attention and imagination of the Japanese people as a place of natural beauty, legend, and wish-granting.
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Located in the district of Higashiyama, the Eastern Hills, the uniquely structured temple has been a magnet for pilgrims and travelers for more than 1,000 years, in part because of the popularity of its principal deity, the bodhisattva Avalokiteshvara (Jpn: Kannon). The ancient Japanese city of Kyoto has many ancient Buddhist temples, but Kiyomizu-dera, or the Temple of Pure Water, has for centuries been one of its most visited Buddhist sites and in 1994, the United Nations named it one of the monuments in a Kyoto-centered UNESCO World Heritage Site.
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A view of the verandah of the main hall of Kiyomizu-dera in Kyoto.